19 results
Spectral Characters: Genre and Materiality on the Modern Stage By Sarah Balkin. Ann Arbor: University of Michigan Press, 2019; pp. viii + 190, 5 illustrations. $65 cloth, $49.95 e-book.
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- Journal:
- Theatre Survey / Volume 61 / Issue 2 / May 2020
- Published online by Cambridge University Press:
- 08 April 2020, pp. 272-274
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- May 2020
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Chapter 3 - Drama
- from Part I - Modes
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- American Literature in Transition, 1960–1970</I>
- Published online:
- 07 September 2018
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- 13 September 2018, pp 41-53
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Art, Vision, and Nineteenth-Century Realist Drama: Acts of Seeing. By Amy Holzapfel. Routledge Advances in Theatre & Performance Studies. New York: Routledge, 2014; pp. xvi + 227, 39 illustrations. $145 cloth, $45.95 paper, $45.95 e-book.
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- Journal:
- Theatre Survey / Volume 57 / Issue 2 / May 2016
- Published online by Cambridge University Press:
- 13 April 2016, pp. 284-286
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- May 2016
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Forgeries of Memory & Meaning: Blacks & the Regimes of Race in American Theater & Film before World War II. By Cedric J. Robinson. Chapel Hill: University of North Carolina Press, 2007. Pp. 456 + 21 illus. $65 Hb; $22.50 Pb.
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- Theatre Research International / Volume 34 / Issue 3 / October 2009
- Published online by Cambridge University Press:
- 01 October 2009, pp. 320-321
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- October 2009
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The Political Science of Peter J. Katzenstein
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- PS: Political Science & Politics / Volume 41 / Issue 4 / October 2008
- Published online by Cambridge University Press:
- 01 October 2008, pp. 893-899
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- October 2008
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The Theatre of Estrangement: Theatre, Practice, Ideology. By Silvija Jestrovic. German and European Studies. Toronto: University of Toronto Press, 2006; pp. 181. $55 cloth.
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- Theatre Survey / Volume 49 / Issue 1 / May 2008
- Published online by Cambridge University Press:
- 09 May 2008, pp. 160-162
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- May 2008
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12 - Jitney, folklore and responsibility
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- Book:
- The Cambridge Companion to August Wilson
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- 28 January 2008
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- 29 November 2007, pp 158-168
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4 - Negro drama and the Harlem Renaissance
- from Part II: - Major Authors and Texts
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- The Cambridge Companion to the Harlem Renaissance
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- 28 July 2007
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- 14 June 2007, pp 57-70
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African American Theatre
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- Theatre Survey / Volume 47 / Issue 2 / November 2006
- Published online by Cambridge University Press:
- 12 September 2006, pp. 191-197
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- November 2006
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Bertolt Brecht's Dramatic Theory
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- Theatre Survey / Volume 47 / Issue 2 / November 2006
- Published online by Cambridge University Press:
- 12 September 2006, pp. 337-341
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- November 2006
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The Past as Present in the Drama of August Wilson. By Harry J. Elam, Jr. Ann Arbor: University of Michigan Press, 2004. Pp. xix + 271 + illus. $60 Hb
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- Theatre Research International / Volume 31 / Issue 1 / March 2006
- Published online by Cambridge University Press:
- 10 February 2006, pp. 103-104
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- March 2006
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Fangs of Malice: Hypocrisy, Sincerity, & Acting. By Matthew H. Wikander. Iowa City: University of Iowa Press, 2002. $32.95 cloth.
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- Theatre Survey / Volume 44 / Issue 2 / November 2003
- Published online by Cambridge University Press:
- 03 February 2004, pp. 282-284
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- November 2003
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Agitated States: Performance in the American Theater of Cruelty. By Anthony Kubiak. Ann Arbor: University of Michigan Press, 2002; pp. xii + 239. $55 cloth; Sweet Violence: The Idea of the Tragic. By Terry Eagleton. London: Blackwell, 2003; xvii + 328. $24.95 paper.
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- Journal:
- Theatre Survey / Volume 44 / Issue 2 / November 2003
- Published online by Cambridge University Press:
- 03 February 2004, pp. 273-276
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- November 2003
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Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy. Edited by Annemarie Bean, James V. Hatch, Brooks McNamara. Foreword by Mel Watkins. Hanover and London: Wesleyan University Press, 1996; pp. xiv + 310. $50 hardcover, $19.95 paperback.
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- Journal:
- Theatre Survey / Volume 38 / Issue 2 / November 1997
- Published online by Cambridge University Press:
- 07 July 2009, pp. 169-171
- Print publication:
- November 1997
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Digging the Africanist Presence in American Performance: Dance and other Centexts. By Brenda Dixon Gottschild. Westport, CT: Greenwood Press, 1996. Pp. xvi + 189. $45.
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- Theatre Research International / Volume 22 / Issue 3 / Autumn 1997
- Published online by Cambridge University Press:
- 23 January 2009, pp. 276-277
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- Autumn 1997
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Rewriting the Body: Aida Overton Walker and the Social Formation of Cakewalking
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- Theatre Survey / Volume 37 / Issue 2 / November 1996
- Published online by Cambridge University Press:
- 07 July 2009, pp. 67-92
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- November 1996
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August Wilson and the African-American Odyssey. By Kim Pereira. Urbana: University of Illinois Press, 1995; pp. xi + 123; $29.95 hardcover, $12.95 paper. - The Dramatic Vision of August Wilson. By Sandra G. Shannon. Washington, DC: Howard University Press, 1995; pp. xvii + 254; illustrated. $27.95 hardcover. - August Wilson: A Casebook. Edited by Marilyn Elkins. New York: Garland Publishing, Inc., 1994; pp. xxi + 228; $38.00 hardcover.
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- Journal:
- Theatre Survey / Volume 37 / Issue 1 / May 1996
- Published online by Cambridge University Press:
- 07 July 2009, pp. 146-150
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- May 1996
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African American Theatre: An Historical and Critical Analysis. By Samuel A. Hay. Cambridge: Cambridge University Press, 1994. Pp. xiii + 287. £35/13.95; $54.95/18.95.
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- Journal:
- Theatre Research International / Volume 20 / Issue 2 / Summer 1995
- Published online by Cambridge University Press:
- 23 January 2009, pp. 170-171
- Print publication:
- Summer 1995
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Love and Theft: Blackface Minstrelsy and the American Working Class. By Eric Lott. New York: Oxford University Press, 1993; pp. 314. $24.95 hardcover.
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- Journal:
- Theatre Survey / Volume 35 / Issue 1 / May 1994
- Published online by Cambridge University Press:
- 07 July 2009, pp. 151-153
- Print publication:
- May 1994
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